Minolta AF-Big Finder

Before we begin, I would like to announce that my new Patreon exclusive camera series is now up, with my first post talking about the Chuzhoa M1 Retro Camera. It can be viewed by either joining my Patreon or buy just buying the post for a onetime fee. I hope you will check it out, not only will you be part of an exclusive club, but you will be helping this site out.

You can find the first post on my new series here:

https://www.patreon.com/posts/chuzhoa-retro-m1-151240549?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 

Remember to also check out my displate:

https://displate.com/artist/bfennsw?art=66e809bf952d9

Anyway, back to the camera at hand:

Keeping up with easy to use cameras, this post will be looking at another point-and-shoot camera. This is the Minolta AF-Big Finder.

I already went through Minolta’s history in my Zoom 110 post. So with that, let’s jump into the AF-Big Finder.

It appears that this was part of a short lived series, by Minolta, the first one I could find that carried this name was the Minolta F35 Big Finder from 1991 (Camera-wiki), although this camera also was sold under the name Minolta Memory Maker 2000 (Filmphotography.eu) and then there was also the Minolta AF50 Big Finder from 1997 (Camera-wiki).

Minolta F35 Big Finder. Image Source:
https://live.staticflickr.com/5164/5381149120_a4c12f2a2b_z.jpg

Minolta Memory Maker 2000. Image Source:
https://collectiblend.com/Cameras/images/Minolta-Memory-Maker-2000.jpg

Minolta AF50 Big Finder. Image Source:
https://live.staticflickr.com/65535/49577943753_216de4cedf_z.jpg

The name obviously came from the fact that it had well, a big (view)finder. But it wasn’t just Minolta that jumped on this idea, as the 1990s saw a various number of companies bring out their own Big Finder cameras (Camera-wiki). Such as the Bell & Howell BF 905, Fujifilm Clear Shot BF and even Polaroid joined in with their Polaroid 200 BF.

Bell & Howell BF 905. Image Source:
https://static.flickr.com/2217/2507162651_2fb5152230_n.jpg

Fujifilm Clear Shot BF. Image Source:
https://farm2.staticflickr.com/1701/24870266210_d3e494d62d.jpg

Polaroid 200 BF. Image Source:
https://farm3.staticflickr.com/2636/3690641037_ef600d2085.jpg

And just like most easy to use cameras that are part of a large “series”, especially ones that were released when digital cameras were taking over, there isn’t much history on the Minolta Big Finder series.

Honestly, I think that this was more of a trend that many camera companies followed, in a last attempt to draw in new customers that were looking into the digital market.

I say this because it looks like all of the camera bodies used were not designed by any of the companies, but were instead all just licensed and sold under different names, similar to the New Taiwan Photographic corp. (see the Sounex YN-9000 and the Solar DX-3 posts). There were some alterations made to each companies’ variation or take on the Big Finder camera, as Camera-wiki points out, the Minolta F35 Big Finder’s body was later used and adapted by Vivitar when they brought out their Big View BV35. 

Vivitar Big View BV35. Image Source:
https://static.flickr.com/5084/5293700073_a585915421.jpg

Camera-wiki further elaborates on my theory by pointing out that:

“…the cameras share common cosmetic features…” thus “…suggesting they may be from the same maker:

A shallow domed front around the lens

A cosmetic feature (or perhaps a finger-grip) on the front right body, emphasising the curve of this dome

An arched top over the VF, continuing the same curve

A slider control in a slot below the lens, for the lens cover…”

Camera-wiki even suggests that many cameras are fakes and made in China and sold illegally under known brand names, without the companies’ permission, again similar to the New Taiwan Photographic corp.

With that out of the way, there isn’t much else about the Minolta AF-Big Finder, other than it being a newer iteration of the Minolta F35 Big Finder. Now I could not find a definitive answer to when this camera was released, but seeing that it looks similar to the AF50 Big Finder, it could be around 1997. Maybe even later, but on the manual (manualslib), the year I see pop-up the most is 1997. 

Screenshot from the manual.

Screenshot from the manual.

So we will conclude that that is the year of manufacturing. This is further corroborated by George's Photographic Curios (2024), who states that it was introduced in 1997.

The AF-Big Finder doesn’t seem to be as popular as the two mentioned above, but it is still a pretty neat compact point-and-shoot camera. And I like and think that this camera’s look is better than the AF50’s. It has a weight of 190g and a size of 4.8 x 2.9 x 1.9 inches, according to the manual.

 With that let’s start with the close examination. Starting with the front.

First the lens.

The manual states that it is a 34mm, with what I am guessing is a fixed f/stop of 4.5, because unlike the other point-and-shoot cameras (Solar DX-3, Sinpo PQ-3 and the Praktica Sport) the AF-Big Finder doesn’t have a ISO or f/stop setting slider.

The manual also states that this is a 3-element in 3 groups lens. But if we look at the AF50, which does have a different lens, but also says “All Glass Lens” we can see that it has a triplet lens (Camera-wiki).

Now with this we can say that the AF-Big Finder also has a triplet lens (see Billy Record 7.7 and Argus C2 posts). For as we learned from the Halina 35X super, that when we have say 4 elements in 3 groups, that means that there are four pieces of glass, but two of them are cemented together. But in this case the elements and the groups are the same so, we can infer that there are three pieces of glass in the AF-Big Finder’s lens. Meaning that all pieces of glass are not cemented together, but in line with one another, making it a triplet lens.

And to learn what it means when a lens has an element coating, please see the SX-70 post.

Underneath is the lens cover slider, that like the other point-and-shoot cameras, works as the on/off switch. 

 

Next to it and slightly above it is the thing that gives it the AF title.

It is the auto-focus window, which focuses the lens automatically, there is no manual setting for this. It has a range of 1.3m to infinity according to the manual.

And also according to the manual it achieves this automatic focusing with an active infrared focus system. To give a brief overview, I will give you a quote from StudyGuides.com (2026):

“Infrared autofocus systems operate by actively emitting infrared light to measure the distance to the subject. This process begins with the camera's infrared emitter projecting light onto the subject, which then reflects back to the camera's receiver. The system calculates the angle or time of the reflected light to determine the subject's distance, adjusting the lens accordingly for optimal focus. This method allows for consistent performance regardless of ambient light conditions, providing reliable focusing in environments where passive systems might struggle due to insufficient contrast. The active nature of infrared autofocus also allows it to function effectively in complete darkness, offering a distinct advantage over passive methods that rely on available light.”

Then above the lens is another feature that points to its namesake and that is the viewfinder.

The viewfinder is large and I love it. One theory for why they went with this large viewfinder is that it not only allows newcomers to the world of film to take pictures, but also it can be used by elderly people and people with spectacles (Nunn 2013).

But this viewfinder has some extra features. Such as a focus frame (similar to the Halina 35X super) and is tinted. What I also find interesting is that the front of the viewfinder is reflective, meaning that one can take selfies! Which isn’t surprising, because as mentioned in my Disc 8000 post, Minolta made their own version of that camera, that came with a mirror for selfies and what can only be described as a selfie stick. So, Minolta was already prepared for the next coming craze in photography. Just too bad they didn’t make it to such a time.

Next to the viewfinder is the built-in flash.

This flash is automatic and will only fire when it is needed, such as low light conditions. There is no way to turn it off manually. It can fire between the ranges of 4.3-15.7 feet depending on the ISO of the film and the lighting situation.

Under the flash is the self-timer indicator.

This light is also used to help reduce red-eye. To activate this feature, the user must slowly press down on the shutter button, then when it fires, press down all the way to take the picture.

On the other side of the viewfinder is the meter window, or light meter (small circle) and above that is the second auto focus window (big circle), but we will only be talking about the meter window.

This most likely senses if it is needed for the flash to go off, and how intense it should be. It, according to the manual, also sets the shutter speed, which can be anywhere between 1/50-1/500 second.

On top-

All on one side, in order of size, is the shutter button (leaf shutter), the self-timer button (12 seconds) and then the automatic film rewind button.

Now the automatic rewind film feature is interesting. For one, when the film is all used up, it automatically rewinds the film on its own. But if, for whatever reason, the user wants to rewind the film early or do it manually you must press in the rewind button. But this is where I find it interesting on this camera.

For you see, to press the rewind button, you must use the button key found on the wrist strap. Now this one didn’t come with the wrist strap unfortunately, but luckily the manual has a great example image.

Screenshot from the manual.

This way there is no accidental rewinding happening, if the user should press down on it.

Then next to the cluster of buttons, is the film frame counter.

Underneath the camera-

Is the tripod socket.

Next to that is the battery chamber, where the camera’s power supply comes from.

 

It takes two AA batteries.

Left side-

Is the eyelet for the wrist strap.

Then right side-

Here is the back-cover release. This unlocks the film compartment cover, by sliding it down.

Speaking of, the back-

Here is the film compartment cover.

On this cover four things can be found.

First is the film window, which tells you the film type.

Above that is the battery warning lamp. This goes off when the batteries are running low.

Next to that is the Flash-ready lamp. It does, well as the name suggests. It lets the user know when the flash is charged up and ready to be used.

Next to that is the viewfinder.

Then there is the film compartment.

Now this camera has some unused film still inside it.

But it is a basic 135film camera and is easy to load.

Empty AF-Big Finder. Image Source:
https://i.etsystatic.com/25453554/r/il/37ca3f/5834019367/il_fullxfull.5834019367_lyyr.jpg

The cover has some cool features, such as the foam piece to hold the film in place, a pressure plate and a roller to keep the film smooth and flat as it moves to the next frame and when rewinding.

Now I should also point out that similarly to the Sinpo PQ-3, that has a “Date” version, which comes with a clock, the AF-Big Finder also has a variation that comes with a clock that most likely imbeds a time stamp on the film. This AF-Big Finder is known as the Quartz date model and the clock can be found on the back cover. 

Screenshot from the manual.

The camera also has DX coding (see my Praktica Sport post).

The camera takes 35mm film cartridges, and shoots 24x36mm. To learn how film works please see my post 200 color plus. 

Lastly, I should point out that this camera does come with a carrying pouch/bag.

And that is it. Now out of all the point-and-shoot cameras, I would not recommend you start with this one. I would recommend the Praktica Sport. Then the Sinpo PQ-3. Then this one, the AF-Big Finder. And never the DX-3, it is just awful!

But if you want to just take pictures on film for fun, then I would recommend this camera. As narando001 (2012) writes that this camera was made for nights out and parties, thus it his “Official Party Camera.”

Because like the Chuzhoa retro camera, one can take it with for some novelty fun. The pictures might not come out looking the best at times, but that is what makes it fun and makes the pictures unique and special.

What do you think? Do you agree that the AF-Big Finder looks better than the AF50? Do you think this is the best camera to start your film photography career? Or do you think the Praktica is the way to go? Or are you of the opinion that digital is king and we should leave film behind? Let me know in the comments.

And as always, thank you for making it to the end and I hope you enjoyed this as much as I did researching it.

Please remember to check out my Patreon at: patreon.com/OnlineCurator  where you can find my first post of my new series, as well as pictures and links to my other Fantasy Blog series.

Please see the Please help this site post on this blog, for more information.

Or if you want to help in another way, please visit my Displate Store. Thank you for the support.

List of sources:

Camera-wiki. Big Viewfinder. https://camera-wiki.org/wiki/Big_Viewfinder

Camera-wiki. Minolta AF50 Big Finder. https://camera-wiki.org/wiki/Minolta_AF50_Big_Finder

Camera-wiki. Minolta F35 Big Finder. https://camera-wiki.org/wiki/Minolta_F35_Big_Finder

Filmphotography.eu. Minolta F35 Big Finder. https://filmphotography.eu/en/minolta-f35-big-finder/

George's Photographic Curios. 2024. 1997 Minolta AF-Big Finder - 35mm Film Camera. https://www.youtube.com/watch?v=GeGEOj_W73M

Manualslib. Minolta AF-Big Finder Instruction Manual. https://www.manualslib.com/manual/1134223/Minolta-Af-Big-Finder.html

narando001. 2012. Minolta AF 35 Big Finder: My Party Camera. https://www.lomography.com/magazine/144245-minolta-af-35-big-finder-my-party-camera

Nunn, R. 2013. Minolta AF Big Finder 35mm Film Camera Review. https://www.youtube.com/watch?v=PKfDlv-MW0w

StudyGuides.com. 2026. Infrared Autofocus (Photography). https://studyguides.com/study-methods/overview/cmkqrs7cw2th101d5ucm69v1y#:~:text=Infrared%20autofocus%20systems%20operate%20by,that%20rely%20on%20available%20light.  

Kodak Instamatic 155X

Before we begin, I would like to announce that my new Patreon exclusive camera series is now up, with my first post talking about the Chuzhoa M1 Retro Camera. It can be viewed by either joining my Patreon or buy just buying the post for a onetime fee. I hope you will check it out, not only will you be part of an exclusive club, but you will be helping this site out.

You can find the first post on my new series here:

https://www.patreon.com/posts/chuzhoa-retro-m1-151240549?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 

Remember to also check out my displate:

https://displate.com/artist/bfennsw?art=66e809bf952d9

Anyway, back to the camera at hand:

Going from one easy to use camera to another, this is the Kodak Instamatic 155X.

I already went through the history of Kodak in my 200 Color Plus and Instamatic Pocket 10 posts. So, lets jump right in.

As we know from the Instamatic 33, when a camera in the Instamatic series has a 100 in the name or that it has an X in the name, is that it is based off of previous iterations. But it seems that the 155X doesn’t fall into this category.

The only camera I can find that is close to being a previous version is the Instamatic 55X from 1971 (Filmphotography.eu 2026).

Instamatic 55X. Image Source:
https://collectiblend.com/Cameras/images/Kodak-Eastman-Instamatic-55X.jpg

The possible reason for why the 155X doesn’t have any other earlier variations (besides the possible 55X), is that the camera came out in the 1970s, when the Magicubes were the preferred flash over the Flashcubes (see the Instamatic 104 post) and the flash holder (see the Instamatic 50 and X-15F post). So instead of making cameras that are called the Instamatic 55, or the 155, is because Kodak at this time just chose to embrace the Magicube (see the Instamatic Pocket 10 post).  

Now, like the Instamatic 33, the 155X doesn’t have much of a history to make it stand out. But unlike the 33, the 155X at least looks better and more appealing. Unfortunately, the 155X body isn’t that unique, because many other cameras have this same look. Examples include the 177X, the 255X, the 156X and many others.

Instamatic 177X. Image Source:
https://vintagecameradeals.co.za/image/cache/catalog/vintagecameradeals/products/VCDdecember2017img130-3000x3000.jpg

Instamatic 255X. Image Source:
https://farm4.static.flickr.com/3099/3191402340_68e1cec9b4_o.jpg

Instamatic 154X. Image Source:
https://farm4.static.flickr.com/3103/2665685478_d45d9c83f5.jpg

Which most likely added to the 155X’s lack of history and inability to really stand out.

But I did find some facts about the camera. One is that it was made and sold in the UK, Germany and Brazil (Filmphotography.eu 2026). This camera was also the camera that replaced the 133X (the Magicube variation of the Instamatic 33) and according to Halgand (2023), the 155X was part of the new series of cameras where Kodak changed “the look of its most popular Instamatic cameras, adopting a brushed aluminium front panel. The film advance lever became standard. Viewing was improved by the addition of a light frame in the viewfinder.”  

Anyway, let’s have a closer look at the camera at hand, the Instamatic 155X. Released in 1971-1977 (Filmphotography.eu 2026), the camera is mostly plastic, with some metal and aluminium, especially the faceplate (Halgand 2023). It has the weight of 300g (Patrick Nicolas 2026) and it size is 4.36 x 2.71 x 2.30 inches (The Camera Collector 2020).

Now time for the examination. Starting with the front.

The lens-

It is a fixed focus lens with a focal length of 43mm with a f/stop of 11 (The Camera Collector 2020). And according to Camera-wiki, the lens is a Kodar lens (see the Kodamatic 980L post), but I think that it is actually a meniscus lens (see the Instamatic Pocket 10 post), as this is the more popular lens type used for Instamatic and cameras that are similar.   

The lens is what also separates it from the 55X, because the 155X lens has an outer ring that allows the user to change the shutter speed.

The settings to switch between two shutter speeds is indicated next to the lens. Similar to the Instamatic 50, the indicators are images of a sun, for sunny or well-lit conditions, and of a sun with lines through it, alongside an image of a bulb, which is used in cloudy or darker conditions. The second (cloudy) setting is also the best setting when using a Magicube. But the Magicube can be used in the first (sunny) setting.

Now the two speeds that the camera has is 1/80 second when in sunny and a slower speed of 1/40 second for the cloudy setting (The Camera Collector 2020), to allow for more light to enter.

Above the lens, on the far right corner-

 Is the viewfinder. Similar to the Instamatic X-15F, the viewfinder is a good upgrade to the very small and irritating viewfinders of the Instamatic 104 and 50. It also looks like the viewfinder has a tint or light filter on it. There is also a frame outline, similar to the Halina Super 35X, but the frame on the 155X is very faint.

But although the viewfinder is bigger, it is a bit of a down grade, because at least the 104 and 50 had their viewfinders above the lens. On the 155X it is off centre and thus can lead to images being off centre as well. But I would rather take the bigger misaligned viewfinder than the small lens adjacent viewfinder.

Then on the other side of the viewfinder is the shutter release.

The shutter button on the 155X keeps up with the tradition of having the L-shaped piece of metal as the shutter release. And the shutter is also most likely the same as the other Instamatics on my blog i.e. a leaf shutter.

On top-

Is only the Magicube socket.

This socket is connected to the film advance and cocking mechanism, which can be problematic because if the user doesn’t switch to the cloudy setting, the magicube flash will still go off, even if it is in the sunny setting.

On the right side-

 Is a single eyelet for the wrist strap.

On the other side-

Is the film compartment cover release/lock. It is in the same position as the Instamatic X-15F, 33 and even the Halina X101.

To release the cover, the user must push the lever up.

The back-

Is the film compartment cover.

On this cover is the film counter window.

Above the cover is the film advance lever.

This lever is a combination of a lever from the 104 and 50 and the wheel of the 33 and the Halina X101.

This lever is also directly connected to the Magicube socket, which turns on the first pull. Then the user must pull for a second time, so that the camera cocks. But sometimes the lever will turn the socket and cock the camera at the same time on one pull.

Like the other instamatics, this camera has a hook that hooks into the film sprocket and holds the film in place. This hook, like the X-15F, is connected to the cocking mechanism and the film advance lever.

Then finally there is the film compartment and well… by now you should have guessed that since it is an Instamatic, it takes 126film cassettes (see the Instamatic 104 for more information) with 28mx28m negative format (Camera-wiki).

And that is it. Although similar to the Instamatic 33, I would say the 155X looks cooler. I really like the shade of blue they used and the mix of black and silver. But I still think that the Instamatic 50 and 104’s classic style looks better.

What do you think? Do you like the way this camera looks or do you think the 33 looks better? Do you agree that the 50 and 104 is better? Do you want 126film to make a comeback? Let me know in the comments.

And as always, thank you for making it to the end and I hope you enjoyed this as much as I did researching it.

Please remember to check out my Patreon at: patreon.com/OnlineCurator  where you can find my first post of my new series, as well as pictures and links to my other Fantasy Blog series.

Please see the Please help this site post on this blog, for more information.

Or if you want to help in another way, please visit my Displate Store. Thank you for the support.

List of sources:

Camera-wiki. Kodak Instamatic 155X. https://camera-wiki.org/wiki/Kodak_Instamatic_155X

Filmphotography.eu. 2026. Kodak Instamatic 155X.  https://filmphotography.eu/en/kodak-instamatic-155x/

Halgand, S. 2023. Kodak Instamatic 155X. https://collection-appareils.fr/x/html/page_standard.php?id_appareil=621

Patrick Nicolas. 2026. N9205 Camera Analogue Kodak Instamatic Camera 155X Vintage Germany. https://www.ebay.co.uk/itm/335469267733

The Camera Collector. 2020. KODAK Instamatic 155X. 1971. https://www.youtube.com/watch?v=779NsU7HlXc#:~:text=KODAK%20Instamatic%20155X.%201971%20%2D%201977%20126,Shutter%20Sunny%201/80s%20Cloudy%20(X%20%2D%20Magicube)